Scalenex promptly provides some reviews
Sure the contest is mostly over, but there is no time limit on critiques. Critiques after the contest is over are also permissible (hint! hint!)
Story One "Dying": An interesting take on the theme in that this is a subtle take on it. This is the only piece in this contest that doesn't warrant a magenta font. That's not a problem! Far from it. I like subtlety like this. Well crafted and well-written.
A mostly conventional Lizardmen temple city experiencing an event that is fairly routine to non-Lizardmen but is earthshaking to Lizardmen society.
Evocative imagery and a good economy of words. This was one of my favorite pieces so my critiques are pretty minor. It could have used a little more characterization because the characterization came off as a little bit dry.
Story Two "Sneaking in Shadows": Clever take on the theme.
Night at the Museum Lizardmen styles. Good economy of words.
This left some unanswered questions. First and foremost. What did the Lizardmen models that came to life want and what was their relationship with the protestors and the protagonist characters?
Story Three "Foreign Shores": Lizardmen are the seaborne invader, oh yeeeaaahhh. Good economy of words and evocative imagery.
My problem is that this didn't really have a introduction, build up and resolution. It felt more like a an exposition than a story.
Story Four "Lustrian Redemption": One of my favorite pieces. This probably had the best characterization in the contest. I really was rooting for the character and I found the world very immersive.
Cannot find any major problems. There is one minor thing that rattled around my brain. This is clearly a post apocalyptic future of the Warhammer Old World. What I'd like is a more defined era. I couldn't tell if these were classic Empire troops with hand guns or some new era with more advanced technology representative of Napoleonic or Victorian/Wild West Era.
Story Five, The Emissary: I am a big fan of Star Trek DS9 so I cannot read "Emissary" and not think of Captain Sisko. The protagonist is even named "Ben". I almost voted for this based on that alone.
This is sort of a combination of Star Trek, the Matrix, Warhammer, and that movie where a kid plays a video game and becomes the savior of an alien race. Most exotic of all, a Slann speaks
plainly. This may be the most creative take on the theme in the entire contest. The author did not just grab a bunch of things and see what sticks, this was clearly put together with thought.
This was a great piece, and had I had three votes, I voted for this one. The reason it's not in my top two pieces is that I wish this piece had more characterizations. When Ben was bored by the educational tour, I understood the situation, but other than a capacity to be bored, I don't know much about Ben. He just got pulled out of reality. I'd like to know what reality is to. What were his hopes, fears, and ambitions? Who were his friends and family? To truly
feel the shock of being pulled from safe reality into a cosmic war, I want more than "I'm bored on an educational tour."
Story Six, "True to the Theme": This piece may have been the most random and out there. True to the Theme indeed. I like the Avenger's parody the best. There were a lot of good jokes, but I would not have minded seeing an entire piece written around that vignette.
I didn't understand
all the jokes and references (I hope the author explains everything in detail later). This felt like a series of gags, and not so much of a story. I enjoyed this, but I could not vote for it.
Story Seven, "The Tilean Job": This story took some risks which I approve of. This piece was well polished and crafted with love, but it is firmly in last place. Sometimes, risk taking causes a story to fall flat. Unfortunately this is one of those times. I am going to cut this piece apart, but I sure I do this out of love.
This story is a part one. "Part One" stories are always risky. It is rare that "Part One" stories get a lot of votes because "Part Ones" are incomplete stories. This is a heist story and part one in a heist story is a recruitment drive. We have several interesting characters, but we don't have the team of interesting characters interacting with each other and dealing with problems. I think this story was a good start, but I would think this story would need in the ballpark of 10,000 words to be truly complete.
Another risk is that this movie parodies
The Italian Job, a movie which came out in 2003 (around the time heist movies were at their peak of popularity). I saw it in the theaters, because back in the oughts' I went to the movie theater almost every week. I thought
The Italian Job was moderately entertaining but it was not a timeless classic. I don't remember it that well, so I couldn't appreciate the beat for beat remake the way I could with say, a
Hot Fuzz parody given that
Hot Fuzz is my all-time favorite movie. I'm betting most people on L-O who saw
The Italian Job, probably don't remember it that well and a lot of our forum members probably never saw the movie. This piece would have probably resonated with a larger audience if it handled heist movies in general, and maybe referenced the Rick and Morty heist episode which is a lot more recent than the
Italian Job. The fact that this follows the source material movie so closely in this case is a hindrance, not a feature.
I love Westhammer. I have been working on developing it on
Lustria-Online here and
World Anvil here, so my heart soars with joy whenever someone writes a Westhammer piece. The issue is that it doesn't mix well with
The Italian Job. It's hard enough to mix a specific early 2000s heist movie with Warhammer but to also mix it with the Wild West genre. I would have liked more wild west slang. That's the true way to my heart with Westhammer pieces but every "Westernism" detract and distracts from
Italian Job. Too much at once.
Story Eight "Short and Scaly on the Streets": Another movie parody but this doesn't parody a specific movie so much as a genre. This had a lot of good jokes and tropes that made me laugh. This certainly fits in the affectionate parody category because it makes fun of the flaws of buddy cop movies but not in a mean way.
This
technically fits a story structure with introduction, build up, and then resolution. I think the video skips were a bit lazy because we don't know how the cop heroes were able to reverse all their bad situations, the video just skipped to bad guys falling through windows.