Finally, the last entry. I wonder what this AoS piece is about?
The protagonist of this tale is the Chameleon Skink Tla’tzep. Hmm, I’ve heard of that name before... *goes back through previous contest voting threads* yes, he was the star of the comedy piece ‘The Red Thing in the Desert’ from the previous contest! It’s always nice to have a sequel to a previous contest entry (whether written by a different author or the same one) as it causes sagas to evolve from these, and I love a good saga (even though sagas specifically were Viking, the Celts loved stories too, so it’s probably the Celt in me, and being English I probably have some Viking blood in me too anyway).
After his adventure with the squeaky bone and the Wolf Rats, he’s been tracking some Beastmen, unusual avian Beastmen he has never seen before. When he activates the device he uses to sorcerously capture images and send them to his Starseer master (a magical Lizardman camera), these creatures immediately notice the magical reverberations it gives off, hinting at them being Tzaangors. Taking it upon himself to be even more careful, Tla’tzep hides his device under additional silk coverings and keeps especially meticulous watch on these creatures. During his observations, he spots that they have a female human Battle Wizard as a captive, who is led along by the party of bird-men on their travels with a rope binding her hands. More and more Tzaangors join the procession until they reach a circular arena in the middle of a desert canyon, populated with an altar and eight openings space evenly around it. As night falls, the Chameleon Skink sees the outline of the eight points of the Chaos Star start to manifest around the altar, a sign that a ritual is about to begin.
A Tzaangor Shaman arrives at the scene upon his Disc, from which he dismounts in order to man the altar and lead the ceremony, which starts with his cawing avian sermon to the other Tzaangors present. Then, two of their number lead the female Battle Wizard to the altar. The Shaman proceeds to read from an enchanted scroll, and to the Chameleon Skink’s horror, the woman proceeds to mutate into another Tzaangor, the Daemons having found a way to create more of their infernal species by sacrificing other magic-users. Mortified by the intelligence he has gathered, Tla’tzep starts to make his way out of the canyon to report what he has seen to the Starseer.
As well as it being nice to have a Chameleon Skink as a different protagonist character, it’s also great to see Tzaangors as an antagonist race - I’m a big fan of these avian Daemons of the Changer of Ways, and I don’t think I’ve ever seen them in a story before. What’s more, the author may well have been having a go at advancing their lore by explaining how their race is born (though I haven’t read the Disciples of Tzeentch Battletome so I don’t know if this has already been established as canon by GW or if it is truly the author’s idea), and as you know I love lore progression as long as it is done faithfully, which it is here. I really like the idea of having a Lizardman protagonist observe another race’s rituals (the reverse of what we see in Story 12) as an original plot device. Another brilliant story!